前面很顺，到入狱以后就散乱了.
未婚先孕—私奔—监禁—再私奔—妹妹去世—入狱，从这一系列走向来看，其实故事非常有可看性，既能往现实主义方向走，也能拍得一波三折.
可是导演拍得两不像了. 某些细节的处理很好，拥抱代替千言万语，但女主的表演没有撑起来，人物缺少深度，觉得姐妹俩可以换个角色演就因为少打了一个逗号，于是看了它. 开头的一些镜头肉眼就看出了破绽，是数字处理的. 有些镜头穿帮厉害. 故事情节，我个人觉得混乱，至于达世最后又决定皈依让我费解，是因为某人的死么，还是那次性交过程中见到那印度女人匪夷所思的熟练动作？钟丽缇的大胆出位和一些表情的刻意特写，让我对这个片子失去兴趣. The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
